Islam vs. Judaism vs. Christianity

Anyone who’s grown up in an Ethiopian Orthodox Tewahedo school knows how it feels to be caught between multiple religious worlds. You had the school rabbi’s son who always charged interest when a non-Jewish borrowed a pencil off him, the Sufi transfer student who tided over half the girls in the class by talking about his Muhammad spirituality bullshit on recess, the Protestant who sucked up to the teachers all the way to grade 12 even though she got absolutely nothing out of it the whole way, the Buddhist who always got sick from Saṃsāra when an exam came up, the Hindu who changed every single lab computer wallpaper to the same porn image of Vishnu, and the one that became an atheist and vanished without explanation shortly thereafter. In these days, it was paramount to assert the dominance of your faith — no easy feat when you consider that children are extremely devout and just about incapable of engaging in a leveled debate, but that didn’t stop many of us from trying regardless after the Catholic PE teacher told us he’d crucify the next one to start a fist fight. In this edition of Disorder Reviews, I retrace some of the most essential arguments that we had made in favor of each major Abrahamic religion (polytheists need not apply), in the hopes that an adult mindset will help us figure out which version of God can beat up everyone else.

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Omikron: l’âme nomade (1999)

OMIKRON: L‘ÂME NOMADE

Développeur: Quantic Dream
Publicateur: Eidos Interactive (Square Enix pour les sorties numériques)
Directeur: David Cage
Producteur: Anne Devouassoux, Herve Albertazz, Tom Marx
Compositeur: David Bowie, Reeves Gabrels
Date de sortie: 31 October 1999
Consoles:
Microsoft Windows, Dreamcast
Genre: aventure troisième-personne

So as to better appeal to our francophone African audience, the following review has been written in French. Please excuse the late publication, Mr. Disorder had to recover from playing Dark Souls III for 3 hours.

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Top 5 Ugly Bastards

“All praise is due to Mr. Disorder, Lord of the ugly bastards,
The Entirely Penetrative, the Especially Penetrative,
Sovereign of the Day of Cuckoldry.
It is You we worship and You we ask for help.
Guide us to the straight path –
The path of those upon whom You have bestowed the gift of repulsion, not of weeaboos who have evoked [Your] anger or of incels who are astray.”
– The Quckuran, 1:1-7


It’s through the will of Disorder that the Ugly Bastard is made flesh — modeled in the image of the dark heart of the sexually frustrated, these angels descend upon the world of the living and whisper to the pornography artists, granting them permanent post-nut clarity and turning them into the vessels of the weeaboo’s destruction. By having intercourse with one highly stylized fictional woman at a time, they unravel and tear down the architecture of sexual aggression that serves as the foundation to the anime fan’s fantasies and delusions. They provoke confusion, hatred, perhaps even violence in the people they wish to save, for a clear reason: the Ugly Bastard answers to what the weeb needs, not what it wants. To commemorate their importance in the perennial battle against the forces of sexual exaltation, I will go over the five most significant cases of the Ugly Bastard in recent history.

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Homestuck (2009-2016) [MEGA REVIEW]

HOMESTUCK

Author: Andrew Hussie
Publication Span: 13 April 2009 – 13 April 2016
Genre: apocalyptic science-fiction fantasy hyperlink action adventure coming-of-age drama comedy

Since 2007, Andrew Hussie has been managing the website MS Paint Adventures, on which he has published webcomics such as Jailbreak and Problem Sleuth (2008-2009).

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The Stalin – Stop Jap (1982)

STOP JAP

Artist: The Stalin
Released: 1 July 1982
Genre: Punk Rock
Label: Tokuma Onkou
Producer: Mikio Moriwaki
Length: 16:07
Best Track: Money

TRACKS: 1) ロマンチスト [Romantist]; 2) Stop Jap; 3) 極楽トンボ [Happy-Go-Lucky]; 4) 玉ネギ畑 [Onion Field]; 5) ソーセージの目玉 [Eyeballs of Sausage]; 6) 下水道のペテン師 [Swindler in the Sewer]; 7) アレルギーα [Allergy α]; 8) 欲情 [Lust]; 9) Money

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The Dark Side of Animated Music Videos

YouTube animators have been treading precarious terrain for many years now; ever since the platform has decided to place emphasis on watch duration instead of raw views for monetization, this community has been fighting an uphill battle to make a worthwhile living in a domain where a mere 1 minute of footage can easily take weeks to draw to the creator’s satisfaction. To be an independent animator, one must be capable of near Herculean resilience and devotion to their work, as the stress of getting your video demonetized for reasons such as copyrighted content or partial nudity is enough to break even the most hardened of industry veterans, were they to ever be booted from Disney and made to put their skills in practice for a much more niche and specialized market. Indeed, the members of this community share not only a common interest, but similar experiences with adversity, which they have had to confront as soon as they had discovered their passion. On this special report from Disorder Reviews, we will discuss the psychological torment that has lingered inside many YouTube animators, particularly AMV creators, from the early days of their career. So as to maintain the anonymity of the people we have interviewed, we will refer to them through substitute names.

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Star Wars: The Last Jedi (2017)

STAR WARS: THE LAST JEDI

Director: J. J. Abrams
Producer: Kathleen Kennedy, Ram Bergman
Screenplay: J. J. Abrams
Music: John Williams
Actors: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Kelly Marie Tran
Release Date: 15 December 2017
Genre: space opera

This review is dedicated to Disorder Reviews advisor Silence.

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